澳洲音乐学论文代写：音乐产业
有关这一主题的文献可以追溯到中国音乐史上，因为不同的研究者试图探索与音乐相关的不同动力，以及影响音乐产业发展趋势的因素。Theodor W. Adorno（1941）认可了“标准化”和“伪个性化”的特征，并以此证明了音乐文学可以追溯到商品生产的逻辑。在这项研究中提出的意见和论点被认为是非常重要的理论工作，是在音乐的主题。
许多研究者认为音乐产业也是一个企业，因此音乐产业的属性与那些为国家发展做出贡献的其他重要产业相类似。音乐被认为是文化产业的副总裁，可以说，这个分支所面临的是工业化较早的任何其他部门的经济凌望的（2010）。创作者和表演者的角色分别由作曲家和艺术家扮演。只有当有足够的规则和法规的行为准则需要遵循与这个行业相关的个人，促进这个行业是唯一可能的。除此之外，任何不与中国文化价值观一致，不应该因为这样的事情恶化，在一个国家的人的道德价值观（哈姆，1991）。类似于其他行业有经销商在他们的角色在音乐行业和经销商负责音乐产品的配送到零售商销售才能产生利润。盈利水平的主要目标是所有的个人参与音乐产品的生产过程中，任何利润最大化的原因，预计将由利益相关者所追求的。
澳洲音乐学论文代写：音乐产业
The literature on the topic can be traced back to the history of Chinese music because different researchers has attempted to explore different dynamics associated with music and the factors that played important role in the determination of trends being followed by the music industry. The characteristics of ―standardization and ―pseudo-individualization were recognized by Theodor W. Adorno (1941) and this evidence can be presented to support the view that literature on music dates back to the logic of commodity production. The opinion and arguments that were presented in this study are perceived to be very important in the theoretical work that is done on the topic of music.
Many researchers are of the view that music industry is also a business and therefore the attributes of music industry are similar to those associated with other important industries that are contributing towards development of country. Music is considered to be a sub-head of cultural industry and it can be said that this branch was faced is industrialization earlier the any other sector of economy Ling Wang’s (2010). The role of a creator and a performer is played by composers and artists respectively. The promotion of this industry is only possible when there are enough rules and regulation regarding code of conduct required to be followed by the individuals associated with this industry. In addition to this anything that is not in accordance with the cultural values of China should not be allowed to be followed because such things deteriorate the moral values of individuals in a country (Hamm, 1991). Similar to any other industry there are distributors plying their role in music industry and such distributors are responsible for the distribution of music products to the retailers who then sale them in order to generate profits. The level of profitability is the main objective of all the individuals involved in the process of production of musical products that is the reason that anything that maximized profits is expected to be pursued by the stakeholders.
