本篇澳洲靠谱代写-自拍的艺术讲了Saltz(2014)谈到了自拍的艺术，并对自拍在他人面前的表达和应用赋予了新的含义。和自拍一样自恋的人，有些人也认为这是一个人身份的组成部分。萨尔茨谈到自拍正处于发展阶段，主要是新石器时代，从那时起，自拍逐渐成为一种艺术，并融入我们当代文化中，成为每个人日常生活的一部分。自拍比它所代表的图片更能说明问题和揭示问题。本篇澳洲靠谱代写文章由澳洲第一论文 Assignment First辅导网整理，供大家参考阅读。
Saltz (2014) spoke about the art of selfie developing a new meaning of how it is meant to be formulated and utilised in front of others. As narcissistic as selfie looks, some people also regard it as an integral part of an individual’s identity. Saltz talks about selfie being in the developmental stage, mostly Neolithic, from where it goes on to become more of an art and embed in our contemporary culture of daily practice of everyone’s life. Selfie’s speak more and reveal more than the picture it represents. Some selfie’s taken at gas chambers show the death sequence of the Jews by inhaling gas, and suicidal pictures while driving and reimagining one’s own body by taking picture in mirrors and showing what is not meant to be shown, one’s integral and private body parts. They speak a lot about how the selfie taker is thinking and is expecting the picture to be perceived by the viewers. This makes the selfie an art form from a mere narcissistic way of admiring oneself and rejecting others. However, close it may be described to art, it loses the very intent for which is was intended, and that is to create memories and record them. Selfies nowadays are more innovative and have crossed the limits of cultural consumption by displaying something that was never expected or mere destruction of the moment that is to be lived. In taking selfie, one clearly destroys the moment at present which is to be heartily experienced and indulges into childish narcissism to take memories by taking selfies (Shilling, 2005). Can a picture pass on the exact feeling that one felt at the spot where the selfie was taken? Can a picture give more feelings than the real location of nature? It never can, and hence, this selfie culture is ruining the present age of the way that they are to experience each moment as it comes when it comes without attempting to destroy it with a selfie. The best way of destroying a feeling is to go away from and put artificial intelligence into it, which automatically kills its importance and transmission of feeling to the experiencer. It becomes difficult to escape this network when left by itself to leave, but if deliberately planned and organised, such a contemporary culture of selfies can be separated from the ideology of it being a dominant culture. It starts with the reasoning of man who begins to understand the moment to be felt rather than recorded for future reference.
Conclusion/Synthesis of the above writings
Disruption as a cultural trait is dangerous and only targets breaking the current smooth progression of life, whatsoever it may be. This network of disruption that takes place to offer better and smarter is in fact leading mankind to a development stage where one constantly seeks one’s own identity and never settles to an idealised one. This creates confusion in society and breaks the very essence of life. Consumption is hidden happening on a daily basis, but loses its importance under the innumerable series of small actions that occurs on a daily basis. Consumption shapes man’s power of interpretation, and uses it as a means for its end. Media as an extension of man is again a more realistic observation as it associates with the belief system of man, thereby breaking into man’s own personal belief system and offering a new one, which media wants man to adopt. This deprives man of his own identity perception leading to a loss in the culture that the mass mankind believes it to be true and a powerful force. Selfie taking seen as a narcissistic act is more of an ignorant attempt to destroy the feeling from the experience of the moment, and using technology to recreate it and store it, which assuredly is impossible.
Technology has become a major part of culture that seems to play a dominant role even when technology is absent in some aspects of culture. This renders man incapable of using his own reasoning, especially to escape this ghost of network within the cultural constraints. Escaping this cultural aspect of technology and its supposed impact on mankind is only possible with the use of the faculty of reason. When one comes to realise the unnecessity of such a large part of the character trait of technology in culture and the impact of media on man’s thinking, escaping becomes easier. Escaping the network is an essentiality if society is to sustain its inherent values and culture of man to man connection and feelings to the extent that this network must be realised as a means and not an end in itself.
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