澳洲历史学论文代写：日本的佛教绘画
kusozu是一个主题，可以看出是日本的佛教绘画。这是日本艺术品中最引人关注的图像之一。在这幅画中，女性身体有九个退化阶段。这幅画是在第十三年底和第十四世纪初发现的。从那时起，直到第十九世纪，同样的绘画可以发现不同的形式，如手卷，悬挂卷轴，并公布记录。这幅画的主题取自一个历史性的佛教教义（下巴，1998）。在第十五世纪初，人们相信和教导，如果他们必须摆脱身体的需要和感情，那么他们必须沉思的杂质腐烂的身体。
这幅画是十个描述的集合。第一个是死亡前代表。在这个女人身上穿着高贵的装束，她有着长长的黑发，一个有着红嘴唇的漂亮人物。通过看这幅画，可以清楚地看出画中的女士欣赏她的魅力和繁荣。在第二个描述中，这位女士被显示为最近死了，因为她显示在高架垫休息和装饰有吸引力的配件。她被带到那里没有衣服。其余七个描述描绘了令人难以置信的钝和可怕的图片身体的衰变。由于没有适当的背景，身体似乎更钝和远程（下巴，1998）。画家毫不犹豫，用尸体腐烂的画面猛烈地威胁观众。事实上，这并不错误地说，那种准确和准确的图片描绘，画家实际上目睹了腐烂的身体。
澳洲历史学论文代写：日本的佛教绘画
Kusozu is a theme which could be easily seen in Japanese Buddhist paintings. It is one of the most provoking images in Japanese artwork. In this painting there are nine stages of degeneration of female body. This painting was found during late thirteenth and early fourteenth century. Since then till 19th century the same painting could be found in different forms like hand scrolls, hanging scrolls, and published records. The theme of the painting is taken from a historic Buddhist doctrine (Chin, 1998). In early 15th century, people believed and were taught that if they have to get free from physical needs and affection, then they have to meditate on the impurity of a decaying body.
The painting is a collection of ten descriptions. The first one is the pre death representation. In this the female body is shown in noble attire, she has long black hair, a nice figure with red lips. By looking at the painting, it is clearly visible that the lady in the picture appreciates her attractiveness and the prosperity. In the second description, the lady is shown as recently dead as she was shown resting on elevated mat and decorated with attractive accessories. She was shown there without clothes. The remaining seven descriptions depict astonishingly blunt and horrific picture of the body’s decay. Since there are no proper background, the body seems to be more blunt and remote (Chin, 1998). The painter didn’t hesitate at all, and he threatens the spectators violently with the pictures of the body decay. In fact it will not be wrong to say that, the kind of accuracy and exactness in the picture depicts that the painter had actually witnessed a decaying body.