澳洲论文代写:音乐如何移动

澳洲论文代写:音乐如何移动

基维详细讨论了一些与音乐有关的重要修辞。一直以来,社会上都在讨论音乐如何移动,如何使自己与周围环境相适应。关于音乐表现的动作和一致性,有不同的学派。通过对这些方面的分析,可以看出制约因素和促进因素将会增长。作者的这一论述,无论是在现代音乐语境中,还是在过去的音乐语境中,似乎都是有关联的。音乐认知主义者与音乐情感主义者之间存在着一种对立的思想。情绪主义者声称音乐本质上是由试图激起的情绪所产生的。认知学试图研究音乐中特定情感的元素和表现。双方对局势都有一种纯粹主义的看法,在这方面已经进行了几百年的道义斗争。基维试图从认知的角度和描述的角度来研究不同种类的音乐并与社会强加的各种标准进行比较。从这一分析中,作者得出结论,音乐有时是基于情感的,有时有标准的形式。作者的这一结论似乎是令人满意的。可以理解,音乐是流动的。它基于环境和一系列的表征元素。更重要的是,音乐是建立在情感和关键概念的基础上,阐明了原作者。在这种情况下,就不可能得出音乐形式和内涵的标准。作者的结论是,在音乐中观察到的二分法可以被认为是错误的和误导的。音乐不能符合任何一种定义,有许多方面定义了音乐并描述了每种音乐类型。没有确凿的证据可以证明这一事实。作者在对音乐的所有表现和认知方面进行了客观的分析后得出的这个结论是非常有趣的。作者的这种有趣的动态和描述被认为使这篇文章非常有关联和有趣。

澳洲论文代写:音乐如何移动

Kivy has discussed in detail some of the important rhetoric that is concerned with music. There has always been discussions in societies about how music moves and conforms itself to the surroundings. There have been different schools of thought regarding the movement and conformities of musical expression. The limiting factors and the facilitating factors are expected to grow from analysis of these aspects. This discussion made by the author seems to be relatable and relevant in modern day musical context as well as past music. There has been a dichotomous thought that exists between musical cognivists and music emotivist. Emotivist profess that music is essentially derived from the emotion that is tries to stir. Cognitisvit try to look at the elements and the representation of the particular emotion in the music. Both these sides have a purist view of the situation and there has been a moral crusade that has been going on for many centuries regarding this aspect. Kivy has tried to look at the cognitive aspect and the descriptive aspect of the various classes of music and compared with the various standards imposed by the society. From this analysis the author concludes that music sometimes moves based on emotions and sometimes there are standard form. This aspect of conclusion by the author seems agreeable. It can be understood that music is fluid. It is based on circumstances and a range of representational elements. More importantly music is based on the emotions and key concepts that are elucidated by the original composer. In that situation it can become impossible to derive standards in musical form and connotations. The author concludes that the dichotomy that is observed in music can be considered to be false and misleading. Music cannot be conformed into any one definition there are various facets that define music and delineates each musical kind. There is no conclusive evidence that can point to this fact. This conclusion made by the author after unbiased analysis of all expressive and the cognitive aspect of music is truly interesting. This interesting dynamics and portrayal by the author is considered to make this article quite relatable and interesting.

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