澳洲论文代写：珠饰艺术的语言和文化意义
在文化方面，对于恩德贝勒人来说，特定类型的珠子具有许多药用、神秘和神奇的特性。作为一个重要的例子，特定珠子的磷光具有在黑暗中发光的能力，据说具有非凡的能力(Carey, 67)。恩德贝勒的传统治疗师用熊来镇定精神疾病，并避开噩梦、幽灵和恶魔。据说，珠子能在战斗中传递勇气、慷慨和美德，还能在决定佩戴者的喜好时引发诉讼(赫克托耳，33岁)。人们发现恩德贝勒的一些人在房子里种满了珠子，他们相信这样可以防止枯萎病、暴风雨和闪电。
所有这些事实都反映了恩德贝勒族串珠艺术深厚的文化价值，同时也可以说，从语言的角度来看，串珠艺术是一种重要的交际手段。
研究珠项目和珠子的描述,传统的恩德贝勒人用于自己从事这门艺术对象的原因除了经济价值和因素(鲍威尔和马克,1)。虽然珠饰描绘了宗教意义的文化价值,仪式的仪式和装饰,珠子的经济价值描述了长途贸易的一个重要来源(史密斯,68)。因此，在当前时代，一些机构和中心一直保存着珠子，因为它们具有经济价值。根据Eicher和Schiama(1998,91)的研究:
“通过制作和佩戴大量的个人珠饰，以及摆造型拍照(收费)，珠饰让女性成为一名工薪阶层。”著名的有南非的恩德贝勒人或肯尼亚的马赛人……”
这句话清楚地描述了一种文化和社会习惯以及自然天赋如何被转化和利用，并被用作赚取经济价值的来源。近年来，珠饰艺术成为跨市场销售或拜访经销商的重要来源。在这种情况下,女性在极度贫困条件下的经济已成功地获得一些独立的收入份额(雪球,2)。描述了这样的原始上下文通信和灵性是转移买卖的珠饰艺术,增强其价值观的经济因素。总的来说，这件艺术品在恩德贝勒的社区中仍然很突出。
这篇研究论文参考了Ndebele社区，参考了珠饰艺术对象背后的原始背景和预期功能。为了区分珠艺的原始语境和珠艺买卖后的转换语境，本文从文化、语言和经济三个方面对珠艺进行了研究。随着珠饰艺术的买卖，珠饰的文化和语言意义转向了经济意义。这就证明了Ndebele社区中的串珠艺术在购买和出售的过程中，在原有的语境发生变化的同时，也在很大程度上表达了该社区的语言和文化意义。
澳洲论文代写：珠饰艺术的语言和文化意义
In terms of culture, for the Ndebele population, specific types of beads hold a number of medicinal, mystical and magical properties. As a significant example, the phosphorescence of specific beads has the ability of glowing in the dark and is said to have extraordinary powers (Carey, 67). Traditional healers of Ndebele used bears for calming down mental illness, and for warding off nightmares, phantoms, and devils. Beads are said to be imparting courage, generosity and virtue in battle, and for causing lawsuits in determining the favour of wearer (Hector, 33). Some people of Ndebele have been found planting beads all across the house with the belief of gaining protection from blight, storms and lightning.
All of these facts depict the deep cultural values of beadwork art among Ndebele, while it can be stated that it acts as a significant source of communication, when considering linguistic aspect.
Research studies in bead items and beads have depicted that the traditional people of Ndebele used to engage themselves in this art object for reasons apart from economic values and factors (Powell and Mark, 1). While the cultural value of beadwork depicts religious significance, ritualistic ceremonies and adornment, the economic value of beads depicts a significant source for trade in long distance (Smith, 68). Therefore, in the current era, a number of institutions and centres have been keeping beads for their value in economic terms. According to a research by Eicher and Schiama (1998, 91):
“Beadwork enables a woman to become a wage- earner, by making and wearing massive quantities of personal beadwork and posing for photographs (for a fee). Well known are Ndebele of southern Africa or the Maasai of Kenya…”
This statement clearly depicts how a cultural and social habit and natural talent can be turned across and utilized as a source of earning economic value. Since recent time, beadwork art is a significant source for initiation of sale across different markets or to visit dealers. In this context, women in extremely poor conditions in terms of economy have been successful in obtaining some share of independent income (Snowball, 2). This depicts how the original context of communication and spirituality is shifted with the sale and purchase of beadwork art, enhancing its values in terms of economic factors. Overall, this art object is still prominent across the community of Ndebele.
This research paper has referred to the original context and intended function behind the art object of beadwork, in reference with the Ndebele community. For differentiating the original context of beadwork from its shifted version after the sale and purchase of beadwork art, three different perspectives have been identified which are cultural, linguistic and economic aspects. As there is a sale and purchases of beadwork art, the cultural and linguistic significance of beadwork shifts to economic significance. This proves the thesis statement that beadwork art among the Ndebele community expresses a lot about the linguistic and cultural significance of their communities, while its original context changes as it is purchased and sold.
