澳洲纽卡索大学论文代写：漫画的内涵
由于与漫画相关的消极性内涵可能更为强烈，因此开始出现一些艺术家在美术领域试图画漫画。讽刺新作品在后劳森伯格形式主义艺术作品中遇到，例如当代画家大卫·萨勒（Funk）在Funk民粹主义和东部乡村艺术上的作品。
目前，审美更冷静的统治更批判地批准。当代设计中的大多数艺术作品都是参照解释的问题，并遵循简约主义过程中的简约主义实践（Boime，2000）。但是，低级艺术与高级艺术之间的区别在某些作品中已经变得高度模糊，因为漫画不再是有效的策略，因为漫画变成了漫画。历史上被引用的还原主义范式只是将幕后的秘密合法化并隐藏起来的秘密，而这些秘密实际上是减少了英雄主义伪装的外衣。
澳洲纽卡索大学论文代写：漫画的内涵
今天，漫画的类型包括一幅肖像，故意改变受害者的特征，以提高和揭露他们所做的事情，以及他们在哪里变弱。这是漫画当代艺术领域的新起源。漫画的发展归功于巴洛克式的意大利画家卢多维科（Ludovico）和卡拉奇（Carracci）。根据漫画的最初定义，含义是某种东西被加载，特别是以一种侵略性的姿态加载。然而，在同一时间，Gianlorenzo Bermini圈进一步提出了漫画的主张，即通过简单的形式呈现想法来表达他们的意思。
从这个角度看，画家提出漫画只是暗示了一些更接近真理的东西，而不是关注现实。根据卡拉奇的说法，漫画自发展以来就是根植于内在的真理或内在的真实本质。
澳洲纽卡索大学论文代写：漫画的内涵
As there can be stronger connotations of negativity with relevance to caricatures, there started to emerge a number of artists making attempts for drawing caricatures within the fine art sphere. Caricature new evocations are encountered in the works of post Rauschenber formalism works of art such as by contemporary painter David Salle on Funk populism and art of Eastern village.
Currently, the cooler domination of aesthetics is sanctioned more critically. Most of the artworks in contemporary designs are made from referencing issues for being interpreted and by following reductivist practices in regard to the process of minimalism (Boime, 2000). But the distinction between lower art and higher art has become highly blurred in certain works to incorporate caricatures which no longer is an effective strategy because the work turns into a caricature. The reductivist paradigms being referenced historically is only a façade to legitimize and hides the secret behind caricatures which actually are the picture of decreased masquerading garb of heroism.
澳洲纽卡索大学论文代写：漫画的内涵
Today, the caricature’s genre consists of a portrait transforming deliberately the victim’s features in order to enhance and therefore expose what they have done and where they went weak. This is a new origin in the field of contemporary art regarding caricatures. The development of caricatures has been attributed to the painters of baroque Italy namely Ludovico and Carracci. In accordance to the initial definitions of caricature the implication is of something being loaded especially with a gesture of aggressiveness. Still, in the same time, Circle of Gianlorenzo Bermini furthered their claim on caricatures depicting that they are meant to discover a meaning by presenting idea in an abbreviated form.
From this perspective, the painter was suggesting that caricatures simply imply something closer to truth rather than a focus on reality. According to Carracci, Caricatures since their development have their roots on the inner truth or the inner true essence.