The Globalization as well as the Glocalisation of the Korean Drama is assessed as follows.
The scenario took a positive turn in the 1980’s when the government relaxed its control over the Films, and for the very first time, the Korean Film industry began to gain popularity on an international level. The film director became the first director from Korea to showcase Films in the European film festivals and also brought several International laurels to Korea. From then on the Korean film industry knew no bounds of success and has been thriving till date. The government control has become vey less and the industry has received success at the local box office equivalent rather exceeding at many occasions, the blockbusters movies of Hollywood. The biggest success of all was the film Shiri, which exceeded the collections of some remarkably successful movies like Titanic and The matrix. Other major successes of this time are Joint Security Area, Friend and My Sassy Girl. The trend continues, and the Korean Film Industry is till date able to produce movies which have achieved tremendous success to the extent that the American film industry (Hollywood) have requested rights to remake the movies My Wife is a Gangster, Mare (remade as The Lake House), Oldboy, My Sassy Girl, A Tale of Two Sisters and Joint Security Area . Some the Korean film industry’s works that claimed distinction and honor are– Oasis at the Venice Film Festival, Oldboy at the Cannes Film Festival, the director Kim Ki Duk at the Berlin Film Festival (Lindsay Hansen, 2006). However, the domestic success of the Korean films is attributed to the government laws which limits the number the movies to be imported from other countries.
在全球化以及全球地方化的韩剧的评估如下。
该方案采取了积极的在1980年代时，政府放松管制的电影，并为第一次，韩国电影业开始得到普及，在国际一级。本片导演成为第一个从韩国电影导演展示在欧洲电影节，也带来了一些国际荣誉韩国。从此，韩国电影业无止境的成功和一直蒸蒸日上，直到日期。政府控制已成为非常少，已成功收到在当地票房相当而超过在许多场合，大片电影好莱坞。最大的成功都是电影希，超过了收藏的一些非常成功的电影泰坦尼克号和矩阵。其他主要的成功，这个时间是联合安全区，朋友和我的野蛮女友。这种趋势继续下去，和韩国电影业至今能够产生的电影取得了巨大成功的程度，美国电影业（好莱坞）请求权重拍电影我的老婆是赌圣，母马（重拍的湖边的房子），-，我的野蛮女友，一个童话姐妹和联合安全区。一些韩国电影业的作品，声称区别和荣誉–绿洲-在威尼斯电影节，在戛纳电影节，导演基姆文西在柏林电影节（琳赛汉森，2006）。然而，国内的韩国电影的成功都归功于政府的法律，限制了一些电影是从其他国家进口。
