澳洲硕士论文:Fraylings“艺术与设计研究”述评

澳洲硕士论文:Fraylings“艺术与设计研究”述评

在艺术与设计的阅读研究中,它涉及到研究方面的刻板印象。人们发现,它概述了与研究范式相关的不同方面。为此,弗莱林采用了一种结构化的方法来分析艺术和设计研究的细微差别。他已经阐明了许多例子来解释这种情况。Frayliing从分析中得出结论,设计研究不能模棱两可,但是从这个研究设计中可以得到不同形式的答案。弗莱林指出,对许多专业人士来说,研究不是首要目标,但在实践中很重要。

从分析来看,Frayling提出的这一研究主题的优势在于使用了传统的主题,即研究和发展的修辞。由此,提供全面解决方案和结果的能力得到了非常详细的阐明。使用适当的例子也清楚地说明了研究设计和艺术的重要性。

Frayling提出了三种研究设计模型,并将其应用于设计中。在此基础上,他在设计与艺术的研究上拓展了更广阔的整体视野。然而,有人认为Frayling提供了一个稍微模糊的定义。可以说,弗莱林从未真正理解过研究必须以何种操作方式进行,以及如何才能达到预期的潜力。

综上所述,Frayling为艺术与设计理念的研究带来了意义。在此之前,只有科学被认为是有系统的方法。

澳洲硕士论文:Fraylings“艺术与设计研究”述评

In the reading Research in Art and design, it deals with the stereotypes that are involved in the facet of research. It has been found that it outlines differential aspects that have been connected with the research paradigm. For this, Frayling had adopted a structured approach in analysing the nuances of the research in Art and design. He has elucidated a lot of examples to explain about the situation. From the analysis Frayliing concludes that research in design cannot be ambiguous, but there are differential forms of answers that can be derived from this research design. Frayling has pointed out to the fact that for many professionals research is not the primary objective, but it is important in practice.
From analysis, it can be said that the strength of this research theme proposed by Frayling is the usage of conventional theme, referring to the rhetoric of research and development. And from this, the ability to provide holistic solutions and outcomes has been elucidated in great detail. The usage of appropriate examples for the same also elucidates with clarity the importance of research in designs and art.
Frayling has proposed three models of research design that they are researched into design. From this, he has been able to develop a broader overall scope involved in the research in design and art. However it was felt that there is a slight ambiguous definition provided by Frayling. It can be said that Frayling had never really construed the operational way in which the research must be framed and how they can reach the intended potential.
To conclude, Frayling had brought meaning for research into art and design notion. Prior to this, only the science was considered to have a systematic approach.

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