assignment代写：PressPausePlay记录片的阐述
PressPausePlay是一部由Victor Kohler和David Dworsky导演的电影。该片于2011年西南电影节期间上映。创作者Dworsky和Kohler在PressPausePlay中研究了当代数字表达的细微差别。它包括与Moby, Bill Drummond, Seth Godin, Lena Dunham, Robyn和Sean Parker等人的对话。这部纪录片的意识形态是，新媒体的发展已经成为一把双刃剑。莫比在采访中说，
今天的艺术家们同样兴奋和恐惧
由于数字技术，艺术领域有了巨大的发展。它帮助了许多艺术家，比如在纪录片《奥拉夫·阿纳达州》中，
“2006年初，我开始录制我的第一张专辑……我想，在我把其中一些音乐放到网上之后，仅仅3-4个月，我的第一次演出就已经卖光了。”所以事情发生得很快，不是几年的准备;仅仅几个月。“奥拉维尔Arnalds。
然而，它也让任何拥有技术设备的人从本质上成为一名电影制作人或艺术家。记者和制片人发现很难在这种嘈杂声中找到真正的人才。
安德鲁·基恩在纪录片中重申了这一观点，
如何才能找到“下一个希区柯克?”因为这一切都“迷失在这片垃圾的海洋里”
在这种情况下，很难找到真正的恒星和独特的成分。在这一大堆平庸或糟糕的音乐作品中，下一个伟大的革命音乐有可能被忽视。因此，这就是新时代数字革命的弊端。在这部电影中，音乐的表现和发展受到了很大的关注。
通过观看这部纪录片，可以说它为媒体的发展提供了有趣的视角。正如莫比所言，
“几乎我在艺术、音乐、文学或创意表达领域遇到的每一个人，每个人都同样兴奋和害怕。没有人真正知道他们的下一份薪水来自哪里，但他们对自己创造和分享工作的能力感到非常兴奋。”莫比
这部纪录片阐述了这个当代世界所产生的各种细微差别和新时代问题。这种使音乐无处不在的民主化有其自身的优点和问题。然而，预计技术只会进一步发展。纪录片基本上说的是增长的方向不应该导致自满和平庸的发展。这部纪录片可以作为一个焦点，进一步揭示新媒体民主化的细节。
assignment代写：PressPausePlay记录片的阐述
PressPausePlay is a movie that has been directed by Victor Köhler and David Dworsky. It was released in the year 2011 during South West Film Festival. Creators Dworsky and Köhler examine nuances of contemporary digital expression in PressPausePlay. It includes conversations with Moby, Bill Drummond, Seth Godin, Lena Dunham, Robyn and Sean Parker, etc. Ideology of this documentary is that the development of new media has become a double-edged sword. Moby states in his interview,
“Artists today are equally excited and afraid” Moby
Owing to digital technology there has been a tremendous growth in the field of arts. It has helped many artists such as Ólafur Arnalds states in the documentary,
“I started making my music early 2006 recording my first album… I think only 3-4 months after I actually put some of the music online, I was playing my first shows and they were already sold out. So it happened very fast, it was not some years of preparation; it was just a few months.” Ólafur Arnalds.
Nevertheless, it has also made anyone with technological devices to be essentially a filmmaker or an artist. Journalists and producers are finding it difficult to find out real talent in this noise.
Andrew Keen reiterates this notion in the documentary,
“And how does one find the “next Hitchcock?” as it all “gets lost in this ocean of garbage” Keen
In this scenario, it becomes difficult to find out the real stars and unique composition. There is a chance that the next big revolutionary music goes unnoticed in this vast array of musical compositions that are mediocre or simply bad. Hence, this is the drawback of the new age digital revolution. In this movie, a lot of focus is given to the musical expressions and development.
From watching the documentary, it can be said that it gives rise to interesting perspective about the development of media. As Moby aptly states,
“Almost everybody I meet in the world of art, music, literature or creative expression, everybody is equally excited and afraid. Nobody really knows where their next pay-check is coming from, but they’re really excited about their ability to create and share their work”. Moby
This documentary states the various nuances and new age issues that arise from this contemporary world. This democratization of music which making it ubiquitous has its own merits and issues. Nevertheless, it is expected that technology will only further develop. Documentary basically states that direction of the growth should not lead to development of complacency and mediocrity. This documentary can be used as a focal point to further divulge into details about democratization in New Media.
